CLASSIC HEIST: Six Films That Define the Genre

For a generation weaned on the high-tech-and-gizmo-aided heist of Steven Soderbergh’s Ocean Eleven or Dom Cobb’s equally SFX-aided ...

The 400 Blows - Run Antoine Run!

Vandana Kumar revisits François Roland Truffaut’s film, The 400 Blows and finds resonance with the complex way ad...

Adil Hussain: The Uncrowned Czar of independent cinema

Sharad Raj walks you through his experience of working with the actor par excellence Adil Hussain.

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Whose normal is it anyway?

Vandana Kumar goes around John Cassavettes’ ‘A Woman Under the Influence’ and discusses how Independent Cine...

Mise en scene: a metaphysical expression

Sharad Raj writes that to arrive at one’s mise en scene is to liberate oneself from dogmas that are both personal and in...

The apotheosis of the new wave: Jules et Jim

Godard’s Breathless and Truffaut’s Jules et Jim are the cornerstones of one of cinema’s most ...

Exploring the Darker Side

After watching a couple of her films, Vandana Kumar believes, that it couldn’t be merely a coincidence that Isabelle Hup...

The outlier of French new wave: Claude Chabrol

In a career that spanned over five decades, Claude Chabrol (24 June 1930 - 12 Sep 2010) was one of the most prolific and widely respected of Fr...

Seijun Suzuki: Master of the Japanese Film Noir

The most traveled and hence the most influential of the film genres that evolved in Hollywood film studios is p...